is reflected in the ways the British organize
their personal, sporting, leisure and
artistic lives. These features
reveal a series of different cultural habits, rather
than a unified image, and are
divided between participatory and spectator
pastimes. Some are associated with
national identities and, in many cases,
are also connected to social class
and minority participation.
According to the authors of We
British (Jacobs and Worcester 1990:
124), the rich variety of leisure,
arts and sporting activities disproves the
notion of Britain as a country of
philistines who prefer second-rate entertainment
to the best. Yet there are
frequent complaints from many quarters
about a ‘dumbing down’ of British
cultural life in television programmes,
films, the arts, literature,
popular music and education.
Certain findings about ‘leisure
pursuits’ and their social implications
have been formulated by academics.
Since most leisure time in Britain is
now spent within the home and/or
family environment, this would seem to
indicate a separation from the
wider social context. Much leisure provision
is commercialized or
profit-oriented and is therefore part of the consumer
society. But access to leisure
activities is unevenly distributed in the population,
because it is dependent upon
purchasing power and opportunity.
Nevertheless, the creative and
cultural industries which service the
‘leisure market’ are an important
part of Britain’s social and economic life.
According to a DCMS survey in
2001, these industries generate £112.5
billion a year in revenue,
contribute £10.2 billion in export earnings,
employ 1.3 million people and
account for over 5 per cent of the gross
domestic product.
Materi terus.. cukup. pusing mas boy.. yang lain dong sekali kali.. :))
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